Thank You.



Dear Readers,

If this is your first visit here, please be sure to visit this page. It is a summary of the contents of this blog; an essay called “No Ordinary Pencil.”

Not long after I started this blog, California Cedar’s first Palomino Blackwing* began making its way into the world, and I was excited like a lot of people and very supportive: I gave them some early photos of mine for free, which were used for some international PR, and loaned them some items to be photographed for their website. However, that initial excitement dwindled into ambivalence after some early misrepresentations were uncovered, but the benefit of the doubt persisted. Though not long after, that ambivalence eventually turned into disappointment—I, as well as others in the pencil community, noticed that the advertising campaign for the Palomino Blackwing was at times wildly inaccurate (if not purposely suggestive), and my site and its contents were in some ways becoming an involuntary partner to that enterprise. I finally began posting about these things along with other blogs in order to bring attention to what was going on. My intention was, and remains, to document as accurately as possible the interesting true story of the Blackwing, and to that end it was hard to understand the choices that CalCedar kept making.

For better or for worse it seems that this blog happens to be the only one of its kind vis-à-vis the history of the Blackwing 602 pencil. The blog itself is about two years old, but it represents about four years of work and countless hours spent researching, photographing, collecting, trading, and writing—all done just for doing’s sake; a labor of love. But because this blog has content unique to the Internet, it means that it gets the attention of those who would like to use that content. Most have done so rather innocently (personal blogs, sharing photos, etc.) which is fine by me, and some have been responsible enough to send queries or notifications, but others—including some for-profit companies—have been less honorable and have infringed upon my copyrighted work. But my complaint isn’t simply about scholarship and attribution, and it’s not at all about money. Rather it’s a combination of the appropriated work, plus how it has at times been folded into California Cedar’s questionable PR campaign, which in turn has distorted the Blackwing’s story, that has spoiled things (see this page for details). Everyone wants to be recognized for their work, but this is less about my wanting credit than it is about me wishing they would just do their own work and leave mine alone—just like how you’d want the person sitting next to you to stop copying from your test paper.

Knowing that a company—one with vast financial resources—was watching my every post (the CEO of the company has subscribed to this blog) slowly began draining my enthusiasm: it’s difficult to explain just what it’s like to work hard for each new and unique Blackwing-related “find” and to put the work into posting about it, only to realize it’s likely just to be taken or copied in some way (and sometimes even inaccurately to boot). And it puts me in a unique position: as a consumer, I share the opinion of those who think CalCedar’s marketing has been inaccurate and questionable at times, but I have no control over that. The best I can do for the Blackwing is to publish my own work and let people decide for themselves. But, when on top of everything else it’s my own work that is being copied—especially when it’s coming from a company that claims to be continuing the “legacy” of the Blackwing—that’s a bridge too far. My interest remains unabated, but I don’t want to continue this blog if it means being a source of reference for CalCedar’s designs—the Blackwing, and the work I’ve put into documenting it, mean too much to me.


I want to say how grateful I am to everyone who has visited here, supported this site, and contributed to the conversation. It’s remarkable how this immeasurably obscure thing—a pencil—could bring together so many kind and like-minded people from all over the world. I’ve enjoyed hearing from you and more importantly, learning from you.

I’m going to leave the site up and the comments open, and I will be cleaning-up and updating older posts as well as continue to edit and expand the “No Ordinary Pencil” essay, but I do not plan on posting any new Blackwing content. There’s always a chance there might be a new post, but if there is it will likely be about current events. I would have preferred to keep sharing my ongoing research about the Blackwing 602, to say the very least, but not everyone is playing fair—I hope you understand.

For anyone who thinks this is about pencils, it’s not—they’re just pencils. It’s about caring for something very deeply.

Thanks for all of your support, and I hope you’ve enjoyed reading.

All the Best,

Black Beauty


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Black ferrule, notched, with gold band. Red Ruby eraser.

“Half The Pressure, Twice The Speed”

Judy Green Music, Hollywood


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The first Judy Green Music catalog.

Judy Green Music was a mainstay in the music paper industry for decades. Based in central Hollywood, Judy Green supplied composers, arrangers, and students with high-quality manuscript paper, pens, pencils, and much more.

Judy Green began working as a copyist in the 1960s, and by 1980 she opened her own concern on Cahuenga Boulevard.

1634 Cahuenga Blvd., former location of Judy Green Music (January, 2020).

In addition to myriad formats of music manuscript paper, either on slick ivory paper or vellum, the company offered ink, writing instruments, reference books, standard contract forms, binding, and xerox services.

There is a robust selection of fountain pens in the catalog: Pelikan, Schaffer, and Rapidograph are well-represented.

Judy Green also offered her own music writer pencil. It is a descendent of the Alpheus Music Writer, which I’ve written about here. But also in the catalog is the Eberhard Faber Blackwing 602:

It’s interesting to note that there is an “IBM Soft Lead Pencil” on offer as well, which presumably means the IBM Electrographic.

Sadly, Judy Green passed away in 2007. Her legacy carries on however, through AllPrintUSA, from whom you can still order music paper and JG Music Writer pencils.

Roddy McDowall on Columbo


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From a 1972 episode of Columbo: Roddy McDowall can be seen with an Eberhard Faber Blackwing 602, as he tried to get one over on Peter Falk and company. (Spoiler alert: he didn’t succeed.)

Thanks to reader Dan for the tip!

The Bowling Blackwings


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Belated congratulations to the winners of the 42nd annual Eberhard Faber bowling dinner of 1966. The team, called the “Blackwings”, prevailed against their co-workers as “first half champions”, with the “Streamliners” securing the second half.

—> Half the Gutterballs, Twice the Leaves <—

Thanks to reader Jaime for the tip!

No Comparison


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From the 1981 Eberhard Faber sales manual:

A professional salesperson will make it his business to learn as much as possible about the competition as well as his own product.

To that end the company provided a “pencil equivalent chart” to their sales force: a list of what the company felt were comparable brands offered by General Pencil, Berol, Dixon, and Faber-Castell. For example, up against the Mongol and Hexaround were the following:

The venerable Editor pencil had some equally venerable company:

But it’s what’s missing that is the most telling. Of the twenty-nine Eberhard Faber pencil brands listed, along with their competitors’ equivalents, there is no entry for the Blackwing.

Perhaps the company thought there was just no comparing.

Blackwings: Impossible


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From a 1969 episode of “Mission: Impossible”, it seems four Eberhard Faber Blackwing pencils can be seen at the top of the frame (from underneath a glass table).

Honorable mention goes to the pencil crossing the tie of Peter Graves (right), which might just be a Castell 9000 — peace and harmony across the Faberland.

Thanks to reader Al for the tip!