December 25, 2014 2 Comments
For Fans of the Genuine Blackwing 602
August 9, 2013 2 Comments
While in Los Angeles last month I was fortunate to have been introduced to Seth Abramovitch from The Hollywood Reporter. Starting with a casual conversation about music, the topic of pencils wasn’t far behind, which led invariably to discussing the story of the Blackwing 602.
Seth’s insights and his connections with some of the most well-known professionals working in the entertainment industry today have resulted in a great article at The Hollywood Reporter, not least of which because it furthers our modern insight into the Eberhard Faber Blackwing, but also because it offers a unique perspective on the state of today’s writing culture. It’s the first mainstream article on this pencil in over a decade, and it’s very gratifying to see the Eberhard Faber Blackwing in such great company.
Thanks to Seth for his great work.
April 9, 2012 3 Comments
…at least get it right.
I can’t say that I was the first person online to mention the Mad Men sighting but my post preceded yours (though his character’s name is Paul Kinsey, not Harry Crane). [Added: since I posted this, CalCedar has quietly updated their site, which illustrates how they monitor and use information from this blog.]
What a drag this is becoming.
John Lennon too? Michael at Orange Crate Art has discussed this more eloquently than I could (I wish I could audit some of his classes). It seems now that the standard of proof for being a “Blackwing user” has been lowered to nothing more than any single and virtually anonymous comment that has been left on a blog.
This reminds me of an old Saturday Night Live news sketch with Father Guido Sarducci, where he talks about how the Vatican’s requirements for sainthood have now been lowered to only three miracles, and two of them can be card tricks.
But yet it’s the Blackwing that suffers.
P.S. It’s customary, ethical (and I think required), to credit the photographers who took those pictures. I wonder how you’d feel if others were using your original content on their sites, without permission or attribution. For example, your exclusive dealer in the U.K. has been using my original content for months, and has refused to take it down or provide attribution despite my repeated requests.
What a drag this is.
March 31, 2012 5 Comments
A pencil, barely alive. We can rebuild him…
Blackwing stubs are often cared for with the same reverence as cryogenically-frozen heads, because deep-down they share the same dream: that one day, some future scientist will find a cure for them and they’ll be brought back to life. Pencil extenders such as those by Staedtler, Derwent, Cretacolor, etc. are beautiful and well-made, but the pencil has to be removed in order to be sharpened, or at least pulled forward a bit, and having to do so again and again—especially with a soft pencil—becomes too disruptive. The best solution I have found is an old one:
We have the technology…
This Faber eraser/extender/cap dates back to the 1920s. It’s patent number, 1373062, refers to several iterations of the extended ferrule and clip eraser design. It adds just enough weight and length to the stub, and the pencil is easily positioned inside. It’s kind of like a prosthetic barrel, or dare I say, a bionic pencil:
To make him better than he was before…
The Blackwing 602 fits snugly inside but the sliding clip adds a little extra pressure. What’s nice is that even though you have to remove the Blackwing’s ferrule, the extender has one very similar to it. The cutout arrow is reminiscent of the ferrules found on early Van Dyke pencils, and the color of the
petrified Chiclet eraser is a bright red like those found on the older pencils. The gilt finish is all but rubbed off, revealing its natural brass color and “E. Faber U.S.A.” is stamped on the side.
Better. Faster. Stronger. [cue music]
This is by far the most effective lengthener I’ve seen for pencils, and it’s some 90 years old. While I am a fan of those made by Graf von Faber Castell, they for the most part do not accommodate hexagonal pencils.
If not Lothar, shouldn’t some Faber get his own United States postage stamp?